Venison Pudge
princecharmingtobe:
“enigmaticagentalice:
“ reapersun:
“ konkoa:
“ This has been a PSA.
”
I’m trying not to reblog posts on this blog but I feel that this is important to post here.
”
on a related note:
”
And for the people asking “Well if you don’t...

princecharmingtobe:

enigmaticagentalice:

reapersun:

konkoa:

This has been a PSA.

I’m trying not to reblog posts on this blog but I feel that this is important to post here.

on a related note:

And for the people asking “Well if you don’t support it irl then why would you like it in fiction?!”
Because when it’s happening irl real people are suffering and dying and that’s horrible and I’d never want that. But when it’s fiction, when no real people are being hurt or killed, it’s interesting to explore the experience, the effects it may have, and to an extent experience the emotions involved without actually having to experience the horrible thing. You explore scary, dangerous things from a safe distance.

nemfrog:

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Rats carrying eggs up stairs. Our dumb neighbours. 1870.

Internet Archive

mavigator:

It was abelist when cain hit him with that rock. AAAAND POST

grayghostofthenorth:
“Bronze Borzoi Zinc Cast, Green Patinated, on Marble Plinth.
”

grayghostofthenorth:

Bronze Borzoi Zinc Cast, Green Patinated, on Marble Plinth.  

thewitchyvamp:

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black cats in autumn

todaysdocument:
“First Issue of “Mad Magazine”, 10/1952
“ Happy birthday, Harvey Kurtzman and Mad Magazine! In October 1952, the very first issue of a new comic called “Mad” was issued, written almost entirely by Kurtzman. It soon came under Senate...

todaysdocument:

First Issue of “Mad Magazine”, 10/1952

Happy birthday, Harvey Kurtzman and Mad Magazine! In October 1952, the very first issue of a new comic called “Mad” was issued, written almost entirely by Kurtzman. It soon came under Senate investigation (thus entering the records of the National Archives), which led to the comic book being transformed into the magazine still going strong today. 

One of these early issues of Mad is on display in the Archives’ permanent exhibit, The Public Vaults, in Washington, DC.

(via National Archives Foundation on Facebook)